The opening sequence effectively sets up the isolated judgment of the hospital shelter through the lone car qualifying down a long curled road. The landscape is crude(a) and flagellate giving the viewer a sense of desperation and futility. The rummy but stylized tribal Indian medication sequential the scene alike adds to the sense of isolation with its on the construction of it improvised flute-like melody. When inside the ward, the euphony immediately turns into a original vinyl record. The contrasts between the tribal symphony and the classical music can be seen to symbolize the difference between the right(prenominal) raw(a) world and the inside mechanical artificiality. The saturation pallette also essentially turns into tints of white. There is not much colour and the livelong scene again gives a sense of clinical artificiality. The all contrast to the drab whites is the arrival of McMurphy, dressed in a leather jacket and skull cap, starkly juxtaposes bot h his physiological display and his character against the dull ward. Upon entering, McMurphy doesnt just simply bye in, he dances his way into the ward. This immediately shows his free-willed character. The film follows the narrative of Randle Patrick McMurphy sooner than main(prenominal) Bromden.

The most likely reason the focus was shifted from Bromden to McMurphy is that it would be softheaded to present the narrative from the Chief as he is desensitise and dumb. It would consist of a lot of voice-overs to convey the Chiefs thoughts and extravagant use of voice-overs in films is clichéd and ineffective. The film presents the narrative in a similar! order to the novel. McMurphy first arrives in the ward in which he establishes himself as the alpha male. He promptly gains supporters and he liberates the patients from their fears of the Big Nurse. This was marked by the major accident in... If you emergency to get a full essay, order it on our website:
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